| Can side projects ever really
deliver all that their combined talents promise? Are these projects vital
creative outlets or a cheap excuse to self indulge? How many times have we been
left wanting unparalleled musical exploration, only to be left with a sour taste
of disappointment? So with the crème de la crème of the Swedish metal scene
making up the ranks of Spiritual Beggars, will this, the bands sixth full length
album uplift or deflate?
Press coverage of the release as been significantly overshadowed by Mike Amott's other incarnation, Arch Enemy's new release, judge from that what you will of the metal press of today. However it is fair to say that 2002's "On Fire" introduced JB to those Beggar's fans who had perhaps lived under a stone and never heard of Grand Magus; and whilst a solid album it did suffer a little from a lack of continuity and have the feel of a band in transition. Any shortcomings "On Fire" may have suffered from have certainly been ironed out, as "Demons" rocks like a motherfucker. The albums vibrant and unashamedly rocking riffing is as master class in how to write rock music. The creative freedom Spiritual Beggars affords Mike Amott is clear for all to see, and hear, while JB's soulful vocal style brings a rounded and an added dimension to proceedings. From the outset you know this is going to be a case of just what the doctor ordered! The variation, subtlety and blend of the song writing demonstrated can do nothing but impress, and nowhere better is this emphasized than with "Through The Halls" and "Treading Water". Seamlessly moving from a truly first rate mid-paced rock power house to a ball bashing full force guaranteed foot stomping behemoth. The addition of bassist Sharlee D'Angelo has without question added a steadfast foundation and the perfect accompaniment to Ludwig Witt's more than capable drumming. The tempo changes throughout this album are considerable, but work well. Taking you on a journey that is worth the ride. For those lucky enough to pick up the album with the bonus second disc, Live in Japan, a double treat awaits. Taken from the bands 2003 Japanese tour, these eight tracks span the bands extensive back catalogue dating back as far as 1996's "Blind Mountain". Production is clean and crisp and gives the uninitiated a taste of what can be expected from a Beggars show; as much as CD can of course. If we are to pick holes, and rest assured there aren't many to pick, the inclusion of a guitar solo does seem an odd selection for a band with such an array of material from which to choose. The bonus disc is a nice touch and a very enjoyable accompaniment to what is a top notch rock album from one of the unsung bands of the past 10 years. |
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